Monday, November 13, 2023

It's a Truly Seasonal Story... If Plants Could Talk

 Now that we're all in a November state of mind.... (chilly? holiday season? early dark?) ... my humorous short story "Reasoning with Azalea" is up online on Witcraft, a journal looking for ways to win a smile.

Yes, Azalea is a plant, but she does a pretty good job defending her point of view. If you click on the title, the whole piece comes up.

It's a two-minute read at most.

Here's the link Azalea

Here are the first few lines:

I know it’s cold, Azalea. 

I don’t like the cold either. 

But you’re not going to spend the winter indoors this year spooning with your buddy, electric heater. 

Not this year. 

He’ll miss me! You think you’re the reason he gets hot!






Tuesday, October 17, 2023

Poems in October: Seeing too much blood, too often

   


 This past summer has been a bit of a blood bath. Damage to my bladder from long-ago prostate cancer radiation treatments has left me seeing much more of my own blood, and on a regular basis, than I ever wished to. My journey back to status quo ante (a work in in progress) has included a lot of walking at a gentler pace.

     I am grateful to English poet Robert Nisbet, a frequent contributor to Verse-Virtual for his kind comments on my poems in the October issue of Verse-Virtual: "The problem with any poems about personal ailments is that they can so easily cloy, but the linguistic jauntiness of Bob Knox's first poem carries us over all of that risk. And his second poem has a real range and richness."

I have been a contributor to Verse-Virtual, a community of poets that publishes a monthly journal, since 2014 and a contributing editor since 2015.

Here are my two "bloody" poems from the October issue.

Red-Blooded American

Blood inside, blood outside, blood all over 
For days it rains red, 
messy, sleep-broken, unspeakable, red-basined days
The body on a short leash,
Punishment enough, I thought, for an eon of sins…

Then nothing: no flow, no stream, 
no whisper in the cistern of the soul
Just the pain of bone-dry efforts
Burn, burn, the smoke of effort,
no fire of release…
No higher expression 
of the body’s deepest need than this:
    Gotta pee! 

We struggle down to the ER, 
dedicated spouse now designated driver – 
     thank goodness! 
Or the impatient patient would have run the lights
through glorious, summer-green, upper-crust Milton,
     school-house of presidents,
to a season’s early end. 
Succumbing (notices would read) to a deadly combo
of scabs and plasma,
victim of broadly fired radioactive treatments 
performed in a prior day  
     by optimistic clinicians, slightly off-mark 
in a crowded neighborhood of organs. 

Somebody please, we beg the healers, 
free me from this inner strain. 
For I am bound upon a wheel of fire,
an old man in a rag of flesh, 
who does but slenderly understand what’s bloody up.
                        

Uphill

I walk slowly uphill.
It’s how I do everything.
Something has tipped the world off balance.
Now the sidewalk, the dirt road, the woodland path,
     is always trending up.
Strange… I remember thinking tasks completed, 
      gardens planted: 
‘All downhill from here.’

The world is green, a healthy color.
I dream of swapping flesh with the leaves 
that swarm the hillside,
     pirouetting in the devil-may-care late summer breeze.
But then, in autumn’s termination, all must wither and go under…
Well, yes, in the end, just a question of timing.

The great shade of the forest
stirs music in the minor key.
I will climb these heights, 
once more possess such sights 
in a theater of the heart. 

My feet regain the path,
reclaim their strength, their range of motion, 
renew my journey…
both up and down.
                        


And here's a link to the listing of all the poems and articles published in the October issue.

Monday, July 3, 2023

The Garden of Verse: Doors That Never Open, and The Gates Through Which All Pass


 










My two poems in the June 2023 issue of Verse-Virtual are both about unusual visits, going to places where I've never been or tend to avoid. 

"Other People’s Lives" tells of traveling to parts of the city in which my wife and I live in, Quincy Mass., to deliver notices of an upcoming community meeting, and discovering that some houses are built with front doors that are never meant to open. Here's the poem.

 

 Other People’s Lives


All the doors closed, locked, shut up tight.
No way in, no welcome mat.
The mailbox up and mailed itself somewhere else.
The front door an utter rampart:
No entry. No welcome. Nobody home to the likes of you.

Privacy protected.
Living in the hills.
I’m a mere stranger. Worse, afoot,
no doubt out to seek thrills.
Hence those locks:
The feverish encounter always pre-empted.

Walk your city’s hidden neighborhoods,
those unseen lanes and cul-de-sacs,
divorced from the city’s busy streets,
its commercial thoroughfares, numbered highways.
Quiet nooks, the street may not be, legally, ‘private’
but a taxpayer’s home is surely his, her, or their castle…
What is it like to put three-quarters of a million (probably more)
into a modest lot plus extra-large dwelling, 
outpost of well-protected privacy
smack up against a vast and wooded preserve,
     people-free at the busiest seasons,
on a narrow street most of us commoners will never find.

What is it like to hide away?
This house is “Protected," so saith the conspicuous advisory
on the never-used front door.
Protected in turn by all-weather storm door with its own 
     tight lock
from the interloper with the handbill declaring the invitation  
     to “community meeting” –
Offstage laughter indulged in silence: Community? Meeting?
… preventing said interloper, or any other physical entity that 
     can walk and chew gum
from approaching the double-locked barrier behind it.

The beast within howls his rage, his furious abandonment
when the interloper touches the impenetrable outer barrier,
that second skin of inviolability,
the offense wired directly into his self-devouring imprisonment 
     of canine sadness. 

Bark all you want, Wolfie,
No one is coming to reduce the terrible gnawing anxiety
of your endless hours of incarceration.

No toys out-of-doors, no sign any creature of flesh ever steps 
     through this parody of ingress,
the mocking shell of the conventional ‘Welcome’ baked into the 
     unyielding mat spread upon the doorstep,
the empty remembrance of that which we no longer 
     mean to offer.
Unpurposed now, its meaning fouled,
it braves the elements, impersonal, dysfunctional till the very 
      crack of doom. 

Speak not to us of common purpose, public space,
those challenges and opportunities that onetime fell to all, 
… the town meeting, the charity drive.
After all, who can you trust?
 
The state is me, moi, and mine own
And if he, or she – or (conceivably) some trace element of younger lives –
does not come home soon,
     I’m surely changing the locks. 
                        


The second poem, "Visiting Eternity" follow a rare visit to a place where nobody is worried about who may come to the door.  Here's the poem. 


Visiting Eternity


The parents are well. We know where to find them. 
Back to back on a stone we ran to ground (a year later)
in a busy corner of forever. 
It is, admittedly, a crowded neighborhood, 
though well-tended. 

The next search however proved a bear.
Don’t get excited to find a Goldberg,
their neighborhood is everywhere.
The wind passes the time among them,
the low boxwood, the hedges elbowing into remaining space
between one placement and the next,
row on row, eternity grew up around them.

No social classes, mind you, in this subterranean finality.
Room to move, though under.
If being head partner in the firm, you object to neighboring 
the treasurer of the local Communist club, 
union chapter, or simple laborer, self-employed accountant
or various women who got things done,
well, it’s a busy neighborhood,
something going every night.
 
The street signs hard to follow,
difficult sometimes to tell the people apart. 
All that may be left is a long stoney fez,
an elemental billboard for a few prosaic data points,
eternity’s stovepipe,
an ear to the wind –
Hard to imagine they are not overhearing our jokes
and errant philosophies,
observing our frustrations:
Reading us as we struggle to find that final 
     hiding place
in the hide-and-seek of time.

Who, we wonder, will come looking for us…?
You are not in the ground, dear ones, 
You are in our hearts and minds
This is our house of remembrance.


To find poems by the 48 poets represented in the June issue 

of Verse-Virtual, go to 

Verse-Virtual


 


 

Tuesday, May 23, 2023

The Garden of Sad-Angry Poems: Guns and History, They're Still With Us

 Two of my poems were published online last month. 



My poem "They Came" was posted last month on Poetry Superhighway's 25th Annual Yom HaShoah Issue. The poem was inspired by German pastor Martin Niemöller's famous 1946 postwar writing “First They Came.”  


They Came

First they came for the immigrant children
And we looked away
Because the Leader’s toady told us, “Those are not
our children”
And we looked at our own children,
and were reassured

Then they came for the people who cover their heads
or pray too much
And again we looked away
Because we were not Iranians, or Iraqis, or Gazans,
or children of the West Bank detained indefinitely without charges
And, as the man said,
those are not our children

Then they came for the abused, and those who accused their abusers,
and for the accusers’ advocates,
and for those who fought against their abusers,
But we looked away, and jested at the comedie humaine,
because we were not ourselves the victims of abuse
or the advocates for the abused,
and, after all, we were “not his type”

Then they came for the ones who would never
play ball with Der Leader
The ones who would always be trouble
because they were cheated out of their land
or, perchance, had been enslaved
or who had once owned a country that the slave-owners wished
to possess for themselves
or who, we feared, were willing to work
for too little money
or who loved the wrong people

And then because no one else remained standing
in our diminished patria,
neither advocates,
nor scribblers with their pencil over the ear,
nor Enemies of the People with their hand-held devices,
nor workers’ parties,
nor defenders of the beaten, humiliated and disappeared

nor anyone able to kick the ball from their feet,
nothing was left for us to do
but to lay our own bodies before his feet

as the painted, spiked, and horny-headed demons of extinction
cheered, and drank, and laughed, and danced upon the bodies
of their victims
and ran up history’s score


First published by The NewVerse.News in July 2019



My poem “Allen Ginsberg’s ‘America’ and Ours” was published New Verse News on April 29. This poem makes use of and takes off from Ginsberg's 1950's beat poem screed titled "America." His assessment of the politics of his day inspired me to be a little profane about our own.


Allen Ginsberg’s “America” (and Ours)

 

America I’ve given you all and now I’m nothing.” – Allen Ginsberg, Howl and Other Poems, 1956

 

I am frankly envious of the poet who, on Jan. 17, 1956,

wrote, in a poem entitled “America,”

“America, go fuck yourself with your atom bomb.”

 

Tennessee, I invite, in the same spirit of candor,

go shoot yourself with your absolutely unqualified no-foolin’, stand-your-ground

irredeemably nut-case gun rights laws,

per events on the ground taking place March 28, 2023.

I could simply echo every sentiment in that mid-century poet’s inspired piece

     of unbridled spontaneity

composed on the theme of his America, in which he that mid-century poet vowed,

amid other proclamations,

“I won’t write my poem till I’m in my right mind”…

but I do not expect to be in my right mind

so long as the YMCA in which I seek to run away from my fury and despair

offers news channels on its TV service available to rats like me

who run on treadmills of anger and despair

 

Networks, that is, on which the munitions-injury expert

is asked to describe the effect of AR ammunition on the bodies of children,

and what I increasingly wish somebody (even crazier than me) would do

to the persons of the elected Tennessee officials

who valiantly protected their freedom-loving constituents from any limitation,

however slight and publicly supported by official law enforcement,

on their natural right to destroy the bodies of children

with whatever armaments the Good Lord, acting through the protected mediation

    of the National Rats Association,

entitles them to possess

 

“America,” Ginsberg demanded in his disarming and eternally youthful way:

“when will you take your clothes off?”

“America” – how’s this for pre-visioning the paramilitary far right? –

“why are your libraries full of tears?”

 

America, we ask in our hair-tearing, torn-clothing way,

Why are your courthouses, state houses, ballot boxes and school boards

full of self-made demagogues who failed to read the books

in their now besieged schoolhouses when they had the chance?

who think that libraries are merely back alleyways for the gang fights

     of the culture wars?

America, we ask, why do the voters of Tennessee develop amnesia of the ballot box?

When will it end, America, your war on humanity?

When will you be worthy of your blues singers, jazzmen, street corner poets,

         dancers on the page as well as on the stage?

When will you invite Stephen Colbert to be the speaker at the next inauguration?

America, the cherry trees are blossoming

and I feel sentimental about the days of wine and roses and that legendary decade ban

     on assault rifles…

and even when the party of Richard Nixon was, by comparison, a beacon of moderation

Americans, we are obsessed by media, by the Chinese timebomb that goes TikTok, TikTok

 

America, the best minds of my generation are already underground

America, there is nobody left to vote for

America, our ancestors saved the world from fascism

But all the fascists have to do today is show their pure-white fannies on TV

and the writing on the wall goes tic-toc-clock, as the timebomb of private self-interest

     melts the glaciers

and brings the ocean to your living room

just before the signoff of the foxed and phony nooz

 

America, you are teaching all the world how to kill people,

     best result for the buck

Because that is all you remember how to do

 




Lilac Days in Massachusetts: The Sweet Smell of Spring

Lilac Days

They shine because this is their month,

their showtime,

but so also the cherry and other fruit trees

in their many branching varieties, 

as do the dogwood, and apple, and willow,

and the nameless white-flowering beauties,

blossoms, their offerings lasting only a week or maybe, with teasing, and the right weather,

a little more.

 

And the gentle sun,

Keeping its schedule, as always, to a perfection

unknown here below

slipping with matchless grace down a cloudless horizon

to the last bans of sunset, twilight

 

but still at night  they sleep with us

still they house and keep the birds safe

     in the quiet hours

and still the morning prays again

that time persists once more to be beautiful

precisely because it is so much older than we



May All Be Blessed!*

 

The little fingers on the little piggies

The big men in my childhood nightmares

     thumping through the shadows of my mind

The killers and the haters, even.

     Who somehow survive my wrathful imaginings

as if they were nothing but what they are –

      maya!

 

All the yoga ladies

The muscled guys

The busy life of the highway where

     the machines take us where they will

And the slow life of the late winter day –

     Gleaming March sunshine,

Brutal west wind

And the yard full of squirrels chasing one another’s

     tails

The tails wagging the dogs of peace,

The people below the bombs

The lasers of love’s eternal springtimes,

The offerings,

Those who carry the finger bowls of time

In which we dip our fingers


*(After a song by Peter Kater) 

 


 

Friday, April 14, 2023

Prosegarden Goes Back to its Roots: Spring Is Starting to Shape Up

 










Spring is starting to shape up in our garden in Quincy, MA. The Japanese Weeping Cherry is in bloom.... But the weather has been awfully dry. I'm worried the earth won't be able to support all out plants if we don't get more rain soon.



We've had good days for April flowers. Will they bring May showers?













The Hyacinths are opening here, tokens of spring color. Also daffodils and Vinca.











The Garden of History... American Revolution? Boston's Samuel Adams Brought More Than the Beer

 


The recent biography “The Revolutionary Samuel Adams” by Stacy Schiff changed my understanding of the American Revolution, a topic I had considered myself pretty well-versed in. It also exposed today’s general ignorance (and my own) of the role in the revolution played by Samuel Adams. Everybody, certainly in Boston, knows the name, and in recent decades everybody everywhere knows the name of the beer company. But I suspect even among residents of the city where the revolution began, few who walk past Samuel Adams’ grave in a tiny cemetery in the city’s center have little appreciation for the starring role Adams played in a drama that changed Western civilization.

I’d have to include myself in that number — before reading this book.

Over the years I’ve have read a number of books about the American Revolution. I’ve read about the America’s War of Revolution. I’ve read books about the ‘the causes of’ the American Revolution.’ However, I suspect, that my mental picture of the events leading to Lexington and Concord in 1775 has been influenced by media depictions of our country’s beginning, going all the way back to a childhood exposure to Disney’s “Johnny Tremain.” When doughty youngster Johnny is quizzed on the need for a revolution, he replies “to protect the rights of Englishmen.” No, the lad is gently corrected by a savvy American patriot in a tricornered hat, “the rights of all men.” But that film starts way too late in the story and focuses on a few headline events: the Boston Tea Party, Lexington and Concord.

Years later, after the dispiriting conflation of “patriotism” with support for the Vietnam War, I found my love for my country’s origins reignited by a film version of the stage musical “1776.” This version of America’s foundation story gave starring roles to John Adams, Thomas Jefferson and Ben Franklin. But after reading Schiff’s book, I see that “1776” also comes way too late to address a deeper issue, the transformation of English-speaking colonials into a new body politic dedicated to civic values such as self-determination and natural rights, including a right to self-government. What the awakening national sensibility in the post-Stamp Act decade called “Liberty.”

And it was the other Adams — not John, the hero of 1776 — but Samuel Adams who got us there. At best, all I knew about Samuel Adams was he the guy who was able (as per the Disney movie) to mobilize the proletariat, the rougher element in town, to dress up like Indians and throw the tea into the harbor. A provocateur with a blue-collar sensibility. So, so wrong. So limited.

While the declaration produced by the Continental Congress, and the war that followed, are essential, foundational events, “The Revolutionary Samuel Adams” takes readers us to the nation’s true, on-the-ground beginnings: the discovery by an underemployed Harvard graduate who’d tried his hand in varied fields, whose beer-making was not a success, that what his city was truly in need of was something we today call a ‘politician.’

“The Revolutionary Samuel Adams” makes a convincing case that Samuel Adams was in fact the essential figure in a generation-long movement that eventually led to nationhood and independence. Schiff notes that Adams’s contemporaries all believed this. Adams, perhaps by way of becoming the essential revolutionary, was also a hell of a tactician, rabble-rouser, political theory thinker and analyst, practical scholar, and excellent writer. Two other firsts, at least in the American vein, are laid to his account: he created the country’s first important local-issues newspaper, and served as its first political journalist.

I will confess to finding, at first glance, the appearance of Schiff’s biography formidable. Its pages present nothing but a blunt series of long third-person passages. The book is almost dialogue free because 18th century records do not preserve spoken speech. How do you build a scene or depict a dramatic moment without verbal clashes? In fact, “The Revolutionary Samuel Adams” is built on perfectly chosen, exacting, ear-perfect snippets of quotation taken from written sources such Adams’s published newspaper essays, dismissive comments in the letters of Colonial or British officials, and the observations of Adams’s American contemporaries. Although not all his papers were preserved, Adams wrote a lot, at time filling columns in Boston’s five newspapers. If someone had proposed building a book this way, I would have said, ‘Nah, it will never fly.’ But this one not only flies, it soars.

After I put down “The Revolutionary Samuel Adams,” I wanted to pick it up and read it over again from the beginning, if only from the pleasure of the prose. Needless to say, the quality and variety of primary source research is staggering. Schiff shows us, step by step, local controversy by local controversy, months turning to years of small-ball maneuvering and careful weighing of positions. And then as controversy yields to crisis, and crisis builds to deeper crisis — as, that is, Britain sends in the taxmen, then sends in the troops — the practical philosopher Adams shepherds his hometown, then his colony — and then extends Boston’s reach to one or two, and finally to all the other colonies — to a clear, principled stand on the need for the protection of liberty achieved by self-government.

Nothing in Adams’s early adulthood suggests he will play this role. A Harvard graduate, Samuel failed to find a successful career. In his early manhood he lost family money investing in the “Land Bank,” a fledging sort of credit union scheme to help create a desperately needed small business credit system for Boston’s small merchants and households. The city’s “merchant elite,” Schiff writes, considered the bank a threat to its own interests and got English officials to the scheme out of business, impoverishing many local families. As economic issues became political issues, setting large elements of the city against the wealthy, crown-oriented figures — especially the colony’s appointed governors Francis Bernard and Thomas Hutchinson — class enemies became political enemies, and ordinary colonists began to question the right of the British Empire, Parliament in particular, to make laws that violated their natural ‘rights’ as citizens.

Adams begins to play the role of breadbasket politician, the book tells us, after being elected tax collector — the kind of job you get when everybody else moves to the other side of the room. The aftermath of the shutting down of the Land Bank meant those who had invested stood to lose their property. Saving his own property acquainted Adams with tactics he will use in other causes. He appeals to the court of public opinion. He discovers legal technicalities to slow the case against him, finds obscure precedents, plays the delay game.

It’s the kind of small-ball game he plays in the years ahead, turning ‘politics’ into a daily, full-time unpaid occupation to build support for the principles that he and collaborators such as James Otis believed in. A tactician playing the long game, the goal of “revolution,” or armed resistance, was not on the table until very late in the game. Instead, “The Revolutionary Sam Adams” shows us retail politician willing to address, tussle, engage, debate and oppose any step taken by Parliament, or by the English government’s appointees and Colonial allies, that he believes infringes on the goal of “the preservation of liberty.”

The conflict over what Boston ‘Americans’ regarded as their rights and what Parliament regarded as its authority intensified when Britain attempted to tax the colonists directly to help offset the cost of the empire’s Seven Years War, that ended in 1763 with the expulsion of France from North America. Parliament saw it as a war to protect the colonies; Americans saw it as an imperial war against a European rival that had gained the empire further territories.

Taxation measures such as the Stamp Act led to American resistance. A later tea tax provoked the famous (or infamous) Boston Tea Party. London responded by sending troops to impose its will on stubborn Colonials. Tensions led to Lexington and Concord, prompting the Continental Congress (which grew from Adams’s invention of “Committees of Correspondence”) to give Thomas Jefferson’s his moment in the sun.

But long before any of that happened, this book tells us how the road to independence and nationhood began in Boston.

In a chapter titled “Nothing Could Have Given Greater Disgust” — Schiff is a connoisseur of the 18th century prose style’s characteristic combinations of ‘correctness’ and blunt content — the author begins: “Here comes Samuel Adams then, a graying widower, inexpensively and unremarkably dressed, familiar with nearly everyone who crosses his path. He is all loose ends and blighted promise. He has held off his father’s creditors, but his house is in disrepair. He has run his malt business into the ground. Charges of financial impropriety cling to him… He could be embarrassed by his brushes with bailiffs, but, cheery and congenial, has elected not to be. He has time to talk.”

And talk did. Also write… The author then notes, “His fortunes will not improve but events are about to meet him halfway… Adams’s improbably ascendancy begins now, in 1764. Soon he will preside over Boston…”

Samuel Adams was always controversial. He always had enemies. He was always busy, turning every issue into a lesson, every development to advantage.

He was a man for the hour. And the hour lasted a dozen years. After which the united colonies declared independence.

Read this book if you wish to know how, historically speaking, thirteen English colonies became the United States.


This book review essay first appeared on Medium.com

To find it there go to Medium.com

https://medium.com/@rcknox2/americas-revolution-samuel-adams-brought-more-than-the-beer-b063d9d3d759