Friday, October 13, 2017

Garden of Literature: 'Petite Suites' for Readers with Big Appetites for Stories



           Robert Wexelblatt, my poetry colleague at Verse-Virtual.com, where we both play the role of contributing editor, has published a new collection of delicious, bite-sized stories under the musical title "Petite Suites."
           The author's "latest book," as the Boston University College of General Studies tellingly puts it in an article titled "Wexelblatt’s Petites Suites Stories Merge Music and Fiction," consists of "a series of charming, inventive short stories" about two or three pages long. 
           Wexelblatt is a professor humanities in the university's College of General Studies. The college newsletter article, a Q&A piece, gives Wex the opportunity to explain the origin of the collection and the reason for the musical titles. Here's his response to the question of how the inspiration from a musical structure
-- "short movements with loose thematic connections" — led to the storytelling. 
           Wex: "My object was to make a suite out of brief, brisk narratives resembling the movements of the French compositions that were my model. I gave each of the little stories in the suite fanciful but relevant musical titles, in French, and indicated the instruments that would perform them. I hoped the result would be an attractive hybrid of fiction and music. I was trying for something in fiction that would share some of the lively, tuneful, witty, and sardonic qualities of the little French suites that I see as ripostes to the serious, ponderous, solemn, sometimes bombastic and elephantine German music of the time. As Debussy’s or Fauré’s little suites are to, say, Wagner’s Ring or Bruckner’s symphonies, so these suites are to the five-hundred-page novel."
          I have to acknowledge that, personally speaking, I tend toward the 500-page novel. (My novel "Suosso's Lane" is almost that long.) But I found these "suites" -- sharply, wittily written, quickly resolving -- a highly addictive reading experience. The structure plays out as compellingly as its musical inspiration. We're presented with a "hook" (or premise) -- I'm tempted here to borrow the Facebook phrase "fetching preview" -- followed in quick order by exposition, development, crisis, and resolution. 
         The structure never grows old, the stories never become predictable. In some cases the resolution -- as in the best fiction (and music? I'm not qualified to say) -- doesn't resolve. It may surprise, comment, or add a whole new level of complexity. Many of life's stories do just that. Sometimes characters behave the way we expect them to. Sometimes their choices show more wisdom than we expect of them. These are particularly satisfying because then we readers are learning something new as well. 
         Here is Wex's discussion of his use of the French, quasi-musical titles for his 'suite' stories.
             Wex: "My model for the titles is Erik Satie, a composer who excelled at fanciful titles. Here are some translations: 'Sketches and Snares of a Large Wooden Fellow,' 'Dried-out Embryos,' 'Three Pieces in the Form of a Pear,' and the charming 'Sonatine Bureaucratique,' which needs no translation. I wanted titles that were similarly unexpected, fanciful, and amusing but at the same time revealing about the stories they head..."
         You can find the article here: https://www.bu.edu/cgs/2017/09/22/wexelblatt-draws-inspiration-from-music-in-petites-suites/

         I'll close by cribbing a bit of the 'advance review' (or blurb) I wrote after reading the book in proof copy:
The author’s fertile imagination offers scenarios, sketches, and movements for the mind on every theme and subject under the sun, families, artists, presidents for life, almost lovers, fading lions and hungry cubs. While the themes are stated with a musical precision, developments come smartly and the resolutions are sure and often subtle. A banker who knows where the bucks are hidden prevents a war. A GPS becomes the voice of wisdom. Odysseus confronts a different sort of fidelity.  
         I attempted in those comments to suggest the truly impressive range of the author's imagination. While his story structures reveal a pattern, this world-inside-the-covers-of-a-book takes us just about everywhere.
         Here's a link to thing in itself:


http://www.blazevox.org/index.php/Shop/new-releases/petites-suites-by-robert-wexelblatt-497/



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