It's been raining all day long,
and I've spent the day at home --
the sort of thing that happens
to make you write a poem.
Oh, right, that's what I've been doing every day this month. Here are my efforts from the last four days.
4.26 The Prompt: "We’d
like to challenge you to write a poem that includes images that engage all five
senses. Try to be as concrete and exact as possible with the “feel” of what the
poem invites the reader to see, smell, touch, taste and hear."
My poem:
Deer Food
I'm developing a taste for this stuff.
Yeah?
Reel stuff. Wild. Nourishing. Green. Leafy. Young. Like
snowflakes on the tongue.
Does it
have a scent?
Strawberries. Ice. The first sunny days.
Those are
scents?
Pine. Citrus.
OK, I'm
getting something. Are you hearing anything?
Murmuring rumbles in the sky. Dripping. Snow melting from
the trees. Cool, moist, happy times.
That's a
lot to hear.
You'll like it. Sunshine. Did I mention sunlight? Flakes
melting in your hair. Your lips alive. Your nose touching firm, clean,
skin-like.
You're
getting my attention. What do you feel?
The crunch in your teeth. The foliage -- soft, viney, dense,
but low. The clean comb of a brush on your hair. An urge to lie down and bed --
but fight it.
Safe, you feel safe. A first inkling of a ray of light
breaking through the clouds.
Spring! You feel spring -- !
OK, enough.
Enough. I get it, man. Don't push too hard.
Are you with me?
Wait...
Just one more thing. What does it look like?
Like a necklace. Like a blanket. Like a halo of ribbons,
green and gold, for a queen. Like a glade in a valley where the water drips from
the crag of an ancient cliff... The kind of place where the king looks down on
you and blesses you with his eyes. Like a green mist on a sunny day... A refuse,
a secret, a place to lie down and dream of time stretching out in a perfect
line of identically perfect moments, hours, days.
Holy cow!
Anything more?
It looks like a garden.
It looks like food.
OK, you got
me. Let's go. Let's go right now. I'm hungry. I'm always hungry.
4.25 The Prompt:
"Today, we challenge you to write a poem that takes the form of a warning
label . . . for yourself! (Mine definitely includes the statement: “Do Not Feed
More Than Four Cookies Per Hour.”)
My response: Maybe not exactly an advisory, but definitely in that area.
I Told You Not to Eat
It
I told you not to eat it,
now you're feeling very sick
I told you not to sniff it,
and not to take a lick
Now you worry that you'll stiff it
'cause you're feeling very sick
I told you just to wrap it up
and store it in a box
And lock it up in package tape
and cover it with dirty socks
Then throw it in the garbage
and rush it to the curb
and bury it in garden waste
imbued with leaves of rotten-breath, and stinky-weed,
and a certain form of indelicate,
not-to-mention "poisoned"
herb
-- Truly not to your best taste!
Just do it, and make haste!
I told you not to taste it
with the tipple of a tongue
and not to roll it on the teeth,
and make that lipsy-smacky noise
Remember -- you're not young!
I told you not to lick it
and make that greedy face
There may be ways to do such things
-- when
you're alone, and I'm asleep --
but this is neither time nor place
And the waiter now turns up his nose,
appalled at your disgrace!
And now you want to take it home,
pretending it's for doggy dear
-- Oh such deceit! Oh
greed replete! --
When our old dog died last year!
It will only make you sick
All night I'll hear you groan
And when at last you slumber off
I'll wake you with a moan --
"I told you not to eat it!"
Words I'm writing on your stone.
4.24 The Prompt:
"Today, we’d like to challenge you to write an elegy – a poem typically written
in honor or memory of someone dead. But we’d like to challenge you to write an
elegy that has a hopefulness to it."
My
response: an elegy for a nameless death, with the slightest whisper of hope at
the end.
Elegy For A Border
Corpse
You paid your way and said your prayers
Still they left you by yourself
to face alone the border snares
The others said 'Give up, turn back,'
You've lost your way, outrun your luck
You faced the river -- ain't it grand?
Come back! they cried,
We'll find another place to stand
You lacked the shame to face defeat
Not going back, on tender feet
I'll wear my flesh down to the bone
My sisters and my mother wait
I won't return with nothing more
than the scars of futile hate
The desert is a barren place
that never saw a savior's face
By the waters of forgetfulness
A fool throws down his heart
The lion takes the slowest beast
The desert does its part
From barren hearts they built a fence
and watered it with blood
I'll swim the devil's water
and ride it at the flood
I'll eat the bitter leavings
of those who've gone before
Trace bloody truths on naked stones
Sniff the air of specters, gnaw upon the bones
I'll spend my life on a futile chase
For a destiny that seeks my death
And whisper prayers with dying breath
For a life in a better place.
4.23 The Prompt: “When
you hear it, you write it down.” Today, we challenge you to honor this idea
with a poem based in sound. The poem, for example, could incorporate overheard
language. Perhaps it could incorporate a song lyric in some way, or language
from something often heard spoken aloud (a prayer, a pledge, the Girl Scout
motto). Or you could use a regional or local phrase from your hometown that you
don’t hear elsewhere, e.g. “that boy won’t amount to a pinch.”
My poem,
about hearing things.
Things Heard
He walked a fair piece.
I used to walk a little, but he walked farther.
Take a walk, pal.
Good advice. I'm sure I'll take it,
you should too.
After saying such-and-such about such-a-thing,
how can you walk that
back?
Well, you shouldn't
have gone down that path
to begin with.
When a scrap of talk, or a path taken -- or a big mistake --
goes to meet its maker,
and that maker turns out to be you...
I heard a man say
he took a walk just yesterday,
and today it was nowhere to be found.
But he walked farther than anyone else.
When he returned all the lights were out
and the clean-up gang was preparing for a new century
The trees were cut down, and the parking lot
for the
mega-something was smoothed and sterile,
the way they are supposed to be.
Wild no more
He turned, walking back into the Idea of Place
that was no longer there
Until he stepped inside,
and then it was.
For more information on National Poetry Writing Month here's the link.
http://www.napowrimo.net/2018/04/
http://www.napowrimo.net/2018/04/
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