After the
leaves come down, it's time to appreciate what we have. Something new, something revealed, something gained when something old and beloved is lost to time: the product of the spinning earth.
Cleared views,
brilliant sunsets, plenty of blue water.
The leaves
don't come down all at once. Some trees and shrubs turn in stages, giving us the
contrast of darker and lighter colors. Their numbers thin and we peer between
half-bare branches at the shapes and colors revealed behind them.
When a young, enthusiastic maple tree, a volunteer that rose beneath the shelter of the big oak in our back garden, released is leaves last week, a new and brighter carpet covered
one portion of the garden, a place that catches the angled rays of the morning sun.
The sun on the leaves turn mid-morning a canary yellow.
After the
leaves come down, we see more sunsets. Mainly, of course, because the suns sets so
early that we are still out and about and struck by this amazing phenomenon when it
takes control of our senses before we are done with doing things. Or we are stuck in traffic when a turn in the
highway delivers a light show. If we are driving westward into the sun, sundown means
we can see the road again, free of blinding light shining in our eyes; now the
hills and trees before us are gilded by its light. When the leaf fall bares the branches
more of the skyline opens for our inspection.
Last weekend
we walked just far enough away from our neighborhood to climb a small rise in the neighboring
town of Milton and gain a height from which to view the sunset. The western sky was a misty peach
as the sun was setting, because while mostly cloudless the atmosphere was not really
clear and water vapor (along with a dose of urban pollution) colored up in the slanting rays. But after the sun sank, the sky
was back-lit by a stirring deep pink, nearly red, a rose-color deeper than the November
roses currently still blooming in the front garden.
The water
was high in the marsh the last couple of weeks. At intervals the city decides
-- at least I assume (and rather hope) that this is a conscious choice -- to open
the flood gates a bit more and let the marsh fill with water from Quincy
harbor to a height that nearly drowns the spartina grass. Against the blue of
the sky and the blue of the water, the grasses show their own waves of golden
tints of amber and ochre and saffron. Waves of color ripple in the salt marsh.
A special
little transformation, courtesy of the lowering perspective of November sun.
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